Movies directed by Joel and Ethan Coen characteristically include distinct atmospheres, quirky characters, witty dialog, and a good bit of cleverly executed violence. When gunplay is in order, the Coens, who write, produce, and direct their movies, are notoriously obsessed with details. They accurately select firearms for the era and depict them realistically. But even the Coens can misfire and forget a detail here or there.
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Coen brothers filmography
The Guns of Coen Brothers Movies | MeatEater Hunting
Ever since their groundbreaking debut Blood Simple proved they could provide noirish thrills on a limited budget, the Coen brothers have been among the most respected and acclaimed filmmakers in the world. There are some characters that fans love and others that they love to hate. Emmet Walsh gives a truly sinister performance as the sadistic private eye Lorren Visser in Blood Simple. Originally, Marty seems to be the villain of the story as he hires Visser to kill his wife and her extramarital lover, but Visser soon reveals himself to be the true bad guy. Visser turns on Marty and then goes after his wife. Larry Gopnik is a mild-mannered suburbanite whose life falls apart in spectacular fashion over the course of a very unfortunate week. When Carl is shot in the face during the transaction, he returns to chew out Gaear, who wastes no time killing him.
The Guns of Coen Brothers Movies
A Serious Man isn't a movie to be "solved. It's a film that revels in its paradoxes because those paradoxes illustrate what it means to be Jewish right from the opening parable about the dybbuk. Arguably Joel and Ethan Coen 's most oblique movie since Barton Fink , A Serious Man is also the brothers' most straightforward examination of their Jewish upbringing and how it crashes up against their American roots. To be Jewish is itself a paradox—an outsider always living among other communities waiting for the inevitable next exodus, an exodus that's also key to your identity. As Larry Gopnik Michael Stuhlbarg spends the film looking for answers, we are shown that God is not accountable to us for our personal misfortunes, but as the final scene demonstrates, we are still accountable to God.
Yeah, I said it. I also think Quentin Tarantino films are juvenile, gratuitous, self-congratulating tripe. I will say one thing about Coen Brother movies — they sure love sepia tones and it works extremely well in this film. The reason this movies stands out for me above all other Coen movies is probably because the story and its structure were written for the Coens two millennia ago and they simply had to modernize it. The introduction of Tommy the guitar player who sold his soul to the devil, played by Chris Thomas King pays a little tribute to North by Northwest , one of my personal favorite classics.